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Judul The Literariness of Media Art / Claudia Benthien; Jordis Lau; Maraike M. Marxsen
Pengarang Benthien, Claudia
Lau, Jordis
Marxsen, Maraike M.
EDISI 1st ed
Penerbitan New York : Routledge, 2018
Deskripsi Fisik 332p. :ill
ISBN 9781315107981
Subjek FORMALISM (LITERARY ANALYSIS)
ART AND LITERATURE
MEDIA ART
EXPERIMENTAL FILMS
VIDEO ART
Abstrak The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian Formalism, the term ‘literariness’ was coined. The driving force behind this theoretical inquiry was the desire to identify literature—and art in general—as a way of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of ‘literariness’ is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations, and other media-based art forms. This volume uses as its foundation the Russian Formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as Neoformalism, intermediality, remediation, and postdrama.
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Lokasi Akses Online https://www.taylorfrancis.com/books/oa-mono/10.4324/9781315107981/literariness-media-art-claudia-benthien-jordis-lau-maraike-marxsen?context=ubx&refId=f296ade4-1f9b-420f-9b35-6a87d76f6f15

 
No Barcode No. Panggil Akses Lokasi Ketersediaan
119425192 801.95 Ben t Baca Online Perpustakaan Pusat - Online Resources
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245 1 # $a The Literariness of Media Art /$c Claudia Benthien; Jordis Lau; Maraike M. Marxsen
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300 # # $a 332p. : $b ill
520 # # $a The beginning of the 20th century saw literary scholars from Russia positing a new definition for the nature of literature. Within the framework of Russian Formalism, the term ‘literariness’ was coined. The driving force behind this theoretical inquiry was the desire to identify literature—and art in general—as a way of revitalizing human perception, which had been numbed by the automatization of everyday life. The transformative power of ‘literariness’ is made manifest in many media artworks by renowned artists such as Chantal Akerman, Mona Hatoum, Gary Hill, Jenny Holzer, William Kentridge, Nalini Malani, Bruce Nauman, Martha Rosler, and Lawrence Weiner. The authors use literariness as a tool to analyze the aesthetics of spoken or written language within experimental film, video performance, moving image installations, and other media-based art forms. This volume uses as its foundation the Russian Formalist school of literary theory, with the goal of extending these theories to include contemporary concepts in film and media studies, such as Neoformalism, intermediality, remediation, and postdrama.
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650 # # $a EXPERIMENTAL FILMS
650 # # $a FORMALISM (LITERARY ANALYSIS)
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700 0 # $a Marxsen, Maraike M.
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