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Judul Advertising and the Transformation of Screen Cultures / Patrick Vonderau
Pengarang Vonderau, Patrick
Zimmermann, Yvonne
Penerbitan netherlands : Amsterdam University Press, 2021
Deskripsi Fisik 340 :ill
ISBN 978 90 4854 156 0
Subjek FILMS, CINEMA
Abstrak Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects (products and services), screens (exhibition, programming, physical media), practices (production, marketing), and intermediaries (ad agencies). In this way, the book develops new historical, methodological, and theoretical perspectives. URI
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Lokasi Akses Online https://oer.unair.ac.id/files/original/84384f9daf2704bc1225005cd628d377.pdf

 
No Barcode No. Panggil Akses Lokasi Ketersediaan
171025192 792 Von a Baca Online Perpustakaan Pusat - Online Resources
Ebook
Tersedia
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260 # # $a netherlands :$b Amsterdam University Press,$c 2021
300 # # $a 340 : $b ill
520 # # $a Advertising has played a central role in shaping the history of modern media. While often identified with American consumerism and the rise of the 'Information Society', motion picture advertising has been part of European visual culture since the late nineteenth century. With the global spread of ad agencies, moving image advertisements became a privileged cultural form to make people experience the qualities and uses of branded commodities, to articulate visions of a 'good life', and to incite social relationships. Abandoning a conventional delineation of fields by medium, country, or period, this book suggests a lateral view. It charts the audiovisual history of advertising by focussing on objects (products and services), screens (exhibition, programming, physical media), practices (production, marketing), and intermediaries (ad agencies). In this way, the book develops new historical, methodological, and theoretical perspectives. URI
650 # # $a FILMS, CINEMA
700 1 # $a Zimmermann, Yvonne
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